Toutes peintures ā l'huile d'Hugo van der Goes


ID Image Painting(From A to Z)    Details 
82215  
Hugo van der Goes, A Benedictine Monk
 
 A Benedictine Monk   Oil on panel; 25.1 x 18.7 cm Metropolitan Museum of Art Date ca.1478 cjr
10049  
Hugo van der Goes, Adoration of the Magi
 
 Adoration of the Magi   (central panel of the Monforte Altar; from Monforte de Lemos cloister, Spain).1470 Oil on wood. Gemaldegalerie,Berlin
91872  
Hugo van der Goes, Adoration of the Magi
 
 Adoration of the Magi   c. 1505 Medium : Oil on panel Dimensions 50 3/4 x 40 in. (128.9 x 101.6 cm) cjr
21253  
Hugo van der Goes, Adoration of the Magi (mk08)
 
 Adoration of the Magi (mk08)   c.1470 Oil on wood, 147x242cm Berlin,Gemaldegalerie,Staatliche Museen zu Berlin-Preubischer Kulturbesitz
10043  
Hugo van der Goes, Adoration of the Shepherds
 
 Adoration of the Shepherds   1480 Wood, 97 x 245 cm Staatliche Museen Berlin
40244  
Hugo van der Goes, Adoration of the Shepherds
 
 Adoration of the Shepherds   mk156 1476-1478 Oil on wood 250x310cm
10044  
Hugo van der Goes, Adoration of the Shepherds  ry
 
 Adoration of the Shepherds ry  
21254  
Hugo van der Goes, Adoration of the Shepherds (mk08)
 
 Adoration of the Shepherds (mk08)   1476-1478 Oil on wood, 253x304cm Florence,Galleria degli Uffzi
10051  
Hugo van der Goes, Adoration of the Shepherds.
 
 Adoration of the Shepherds.   (cenral panel of the Portinari Altar). 1476-1478. Oil on wood. Galleria degli Uffizi, Florence
29429  
Hugo van der Goes, Aubetung der Hirten
 
 Aubetung der Hirten   mk66 vor 1476 Mitteltafel des Portinari-Altars Holz 253x304cm Galleria degli Uffizi,Florenz
70777  
Hugo van der Goes, begratelsen
 
 begratelsen   olja pa tra 23x33.8cm se
93078  
Hugo van der Goes, Beweinung Christi
 
 Beweinung Christi   Date Deutsch: um 1480 English: c. 1480 Medium oil on canvas Dimensions Deutsch: 36 X 30,2 cm TTD
82152  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   Date between 1465(1465) and 1468(1468) Medium Oil on wood cjr
85758  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   between 1465(1465) and 1468(1468) Medium Oil on wood cyf
86624  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   Date between 1465(1465) and 1468(1468) Medium Oil on wood Dimensions Height: 250 cm (98.4 in). Width: 216 cm (85 in). cjr
91818  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   between 1465(1465) and 1468(1468) Medium oil on panel cyf
91819  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   between 1465(1465) and 1468(1468) Medium oil on panel cyf
91823  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   between 1465(1465) and 1468(1468) Medium oil on panel cyf
91824  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   between 1465(1465) and 1468(1468) Medium oil on panel cyf
91827  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   between 1465(1465) and 1468(1468) Medium oil on panel cyf
91829  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   between 1465(1465) and 1468(1468) Medium oil on panel cyf
91831  
Hugo van der Goes, Calvary Triptych
 
 Calvary Triptych   between 1465(1465) and 1468(1468) Medium oil on panel cyf
10054  
Hugo van der Goes, Death of the Virgin.
 
 Death of the Virgin.   1480. Oil on oak. Groeningemuseum Bruges, Belgium
10048  
Hugo van der Goes, Deposition Diptych
 
 Deposition Diptych   (Small Deposition, left wing)c. 1480 Canvas
10055  
Hugo van der Goes, Flagellation of Christ
 
 Flagellation of Christ   1450s Wood,106x210cm Louvre, Paris
10057  
Hugo van der Goes, Last Supper
 
 Last Supper   1470 Wood,172x164cm Museum Nacional d'Art de Catalunya Barcelona
10053  
Hugo van der Goes, Maria Baroncelli with Her Daughter
 
 Maria Baroncelli with Her Daughter   Margarita and SS. Margaret and Mary Magdalene. The right panel of the Portinari Altar.1476-78 Oil on wood. Galleria degli Uffizi, Florence
10047  
Hugo van der Goes, Mary Triptych
 
 Mary Triptych   1478 Wood 30,1 x 23,4 cm Stedelsches Kunstinstitut, Frankfurt
83099  
Hugo van der Goes, Monforte Altarpiece
 
 Monforte Altarpiece   Date ca. 1470(1470) Medium Oil on wood Dimensions Height: 150 cm (59.1 in). Width: 247 cm (97.2 in). cjr
83267  
Hugo van der Goes, Monforte Altarpiece
 
 Monforte Altarpiece   Date ca. 1470(1470) Medium Oil on wood cjr
83268  
Hugo van der Goes, Monforte Altarpiece
 
 Monforte Altarpiece   Date ca. 1470(1470) Medium Oil on wood cjr
83270  
Hugo van der Goes, Monforte Altarpiece
 
 Monforte Altarpiece   Date ca. 1470(1470) Medium Oil on wood cjr
83273  
Hugo van der Goes, Monforte Altarpiece
 
 Monforte Altarpiece   Date ca. 1470(1470) Medium Oil on wood cjr
87248  
Hugo van der Goes, Monforte Altarpiece
 
 Monforte Altarpiece   1470(1470) Medium Oil on wood cyf
89109  
Hugo van der Goes, Monforte Altarpiece
 
 Monforte Altarpiece   1470(1470) Medium oil on wood cyf
10050  
Hugo van der Goes, Portinari Altar
 
 Portinari Altar   1476 Oil on wood. Galleria degli Uffizi, Florence,
41519  
Hugo van der Goes, Portinari Altarpiece
 
 Portinari Altarpiece   mk164 1476 Uffizi Florence
51696  
Hugo van der Goes, Portinari Altarpiece
 
 Portinari Altarpiece   nn09 1475 Oil on wood 253x304cm
55960  
Hugo van der Goes, Portinari Altarpiece
 
 Portinari Altarpiece   mk247 c.1475,oil on wood 99.675x230.75 in,253x586 cm,uffizi,florence,ltaly
30436  
Hugo van der Goes, Portinari Triptych
 
 Portinari Triptych   mk68 Oil on wood Florence,Uffizi, 1476-1479
53675  
Hugo van der Goes, Portinarialtaret
 
 Portinarialtaret   mk234 about 1476 each jambs mater 254x140cm
41325  
Hugo van der Goes, Portrait of a man
 
 Portrait of a man   mk161 Tempera and oil on wood 12x10
1806  
Hugo van der Goes, Portrait of a Man  111
 
 Portrait of a Man 111   Metropolitan Museum of Art, New York
30948  
Hugo van der Goes, Portrait Triptych
 
 Portrait Triptych   mk68 1476-1479
89965  
Hugo van der Goes, Sts Anthony and Thomas with Tommaso Portinari
 
 Sts Anthony and Thomas with Tommaso Portinari   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89966  
Hugo van der Goes, Sts Anthony and Thomas with Tommaso Portinari
 
 Sts Anthony and Thomas with Tommaso Portinari   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89967  
Hugo van der Goes, Sts Anthony and Thomas with Tommaso Portinari
 
 Sts Anthony and Thomas with Tommaso Portinari   between 1476(1476) and 1479(1479) Medium oil on panel cyf
85745  
Hugo van der Goes, Sts Margaret and Mary Magdalene with Maria Portinari
 
 Sts Margaret and Mary Magdalene with Maria Portinari   Date between 1476(1476) and 1479(1479) Medium Oil on wood cjr
89941  
Hugo van der Goes, Sts Margaret and Mary Magdalene with Maria Portinari
 
 Sts Margaret and Mary Magdalene with Maria Portinari   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89962  
Hugo van der Goes, Sts Margaret and Mary Magdalene with Maria Portinari
 
 Sts Margaret and Mary Magdalene with Maria Portinari   between 1476(1476) and 1479(1479) Medium oil on wood cyf
89963  
Hugo van der Goes, Sts Margaret and Mary Magdalene with Maria Portinari
 
 Sts Margaret and Mary Magdalene with Maria Portinari   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89964  
Hugo van der Goes, Sts Margaret and Mary Magdalene with Maria Portinari
 
 Sts Margaret and Mary Magdalene with Maria Portinari   between 1476(1476) and 1479(1479) Medium oil on panel cyf
70776  
Hugo van der Goes, syndafallet
 
 syndafallet   olja pa tra 23x33,8cm 1659 se
90780  
Hugo van der Goes, The Adoration of the Kings
 
 The Adoration of the Kings   c. 1470(1470) Medium oil on oak wood Dimensions Height: 147 cm (57.9 in). Width: 242 cm (95.3 in). cjr
85751  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   Date between 1476(1476) and 1479(1479) Medium Oil on wood cjr
86542  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   Date between 1476(1476) and 1479(1479) Medium Oil on wood Dimensions Height: 253 cm (99.6 in). Width: 304 cm (119.7 in). cjr
89030  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on wood cyf
89942  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89943  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89944  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89945  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89946  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89968  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89969  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89970  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89971  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89972  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89973  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
89974  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
97833  
Hugo van der Goes, The Adoration of the Shepherds
 
 The Adoration of the Shepherds   between 1476(1476) and 1479(1479) Medium oil on panel cyf
83276  
Hugo van der Goes, The Adoration of the Shepherds (detail)
 
 The Adoration of the Shepherds (detail)   Date between 1476(1476) and 1479(1479) Medium Oil on wood cjr
10045  
Hugo van der Goes, The Fall
 
 The Fall   1467-68 Oil on oak, 33,8 x 23 cm Kunsthistorisches Museum, Vienna
89038  
Hugo van der Goes, The Fall
 
 The Fall   between 1467(1467) and 1468(1468) Medium oil on oak cyf
1804  
Hugo van der Goes, The Fall : Adam and Eve Tempted by the Snake
 
 The Fall : Adam and Eve Tempted by the Snake   1470 Art History Museum, Vienna
21252  
Hugo van der Goes, The Fall of Adam (mk08)
 
 The Fall of Adam (mk08)   1470 Oil on wood 34x23cm Vienna,Kunsthistorisches Museum
23305  
Hugo van der Goes, The Fall of Man (nn03)
 
 The Fall of Man (nn03)   c 1470 Oil on panel 35.5 x 23.2 cm 13 7/8 x 9 1/8 in Kunsthistorisches Museum Vienna
40229  
Hugo van der Goes, The Fall of Man and the Lamentation
 
 The Fall of Man and the Lamentation   mk156 c.1470-1475 Tempera on wood 32.3x21.9cm
39638  
Hugo van der Goes, The Fall,from a diptych with The Fall of Man and salvation
 
 The Fall,from a diptych with The Fall of Man and salvation   mk150 1479 Oak 32.3x21.9cm
10046  
Hugo van der Goes, The Lamentation of Christ
 
 The Lamentation of Christ   1467-68 Oil on oak, 33,8 x 23 cm Kunsthistorisches Museum, Vienna
83100  
Hugo van der Goes, The Lamentation of Christ
 
 The Lamentation of Christ   Date between 1467(1467) and 1468(1468) Medium Oil on oak Dimensions Height: 33.8 cm (13.3 in). Width: 23 cm (9.1 in). cjr
87249  
Hugo van der Goes, The Lamentation of Christ
 
 The Lamentation of Christ   between 1467(1467) and 1468(1468) Medium Oil on oak cyf
1805  
Hugo van der Goes, The Portinari Altarpiece
 
 The Portinari Altarpiece   1475 Galleria degli Uffizi, Florence
44878  
Hugo van der Goes, The Portinari Altarpiece
 
 The Portinari Altarpiece   mk176 center 252.7x304.8cm 251.7x140.9cm
29818  
Hugo van der Goes, The Portinari Triptych
 
 The Portinari Triptych   mk67 Oil on panel 99 5/8x230 11/16in
91336  
Hugo van der Goes, The Trinity Altarpiece
 
 The Trinity Altarpiece   Oil on panel ca.1480 cjr
10052  
Hugo van der Goes, Tommaso Portinari with his sons and SS.
 
 Tommaso Portinari with his sons and SS.   Thomas and Anthony Abbot. The left panel of the Portinari Altar. 1476-1478.Oil on wood Galleria degli Uffizi, Florence

Hugo van der Goes
1440-1482 Flemish Hugo van der Goes Galleries Hugo became a member of the painters' guild of Ghent as a master in 1467. In 1468 he was involved in the decoration of the town of Bruges in celebration of the marriage between Charles the Bold and Margaret of York and he provided heraldic decorations for Charles's joyeuse entr??e to Ghent in 1469 and again in 1472. He was elected dean of the Ghent guild in 1473 or 1474. In 1475, or some years later, Hugo entered Rooklooster, a monastery near Brussels belonging to the Windesheim Congregation, and professed there as a frater conversus. He continued to paint, and remained at Rooklooster until his death in 1482 or 1483. In 1480 he was called to the town of Leuven to evaluate the Justice Scenes left unfinished by the painter Dieric Bouts on his death in 1475. Shortly after this, Hugo, returning with other members of his monastery from a trip to Cologne, fell into a state of suicidal gloom, declaring himself to be damned. After returning to Rooklooster, Hugo recovered from his illness, and died there. His time at Rooklooster is recorded in the chronicle of his fellow monk, Gaspar Ofhuys. A report by a German physician, Hieronymus M??nzer, from 1495, according to which a painter from Ghent was driven to melancholy by the attempt to equal the Ghent Altarpiece, may refer to Hugo. His most famous surviving work is the Portinari Triptych (Uffizi, Florence), an altarpiece commissioned for the church of San Egidio in the hospital of Santa Maria Nuova in Florence by Tommaso Portinari, the manager of the Bruges branch of the Medici Bank. The triptych arrived in Florence in 1483, apparently some years after its completion by van der Goes. The largest Netherlandish work that could be seen in Florence, it was greatly praised. Giorgio Vasari in his Vite of 1550 referred to it as by "Ugo d'Anversa" ("Hugo of Antwerp"). This the sole documentation for its authorship by Hugo; other works are attributed to him based on stylistic comparison with the altarpiece. Hugo appears to have left a large number of drawings, and either from these or the paintings themselves followers made large numbers of copies of compositions that have not survived from his own hand. A drawing of Jacob and Rachel preserved at Christ Church, Oxford is thought to be a rare surviving autograph drawing.



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